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The Gluepot Connection - New CD and Concert
New book on Alan Bush by Dr Joanna Bullivant
Talk at Oxford University
Re-broadcast of Alan Bush radio programme
Alan Bush programme on Australian Radio
Recent Concert of Alan Bush's Works in Cape Town
Stokes Meyer Sightreading Prize 2016
Alan Bush Composition Prize 2016
South Africa concert in September
October concert in South Africa
Ormskirk Music Society Concert
Concerts in June and July
Two new CDs
Appeal for funds for new Alan Bush CD
Alan Bush concerts in Russia and Belarus in April and May 2013
Lascaux Symphony on new CD
Alan Bush concerts in Russia in 2013
Alan Bush featured at John Ireland Festival in London in June
London performance of Dialectic in May
New CD - British Recorder Music
Two performances of The Winter Journey in Germany in December 2011
Alan Bush Composition Prize 2011
A Review of 24 Preludes for Piano and Ballet in Small Spaces
Alan Bush's Twenty Four Preludes and the Ballet In Small Spaces, May 2011
Red Strains: Music and Communism outside the Communist Bloc after 1945
Performance of Corentyne Kwe-Kwe
New Publications of Alan Bush Compositions
German Production of The Press Gang
Alan Bush Composition Prize 2010
BBC broadcast of the 'The Winter Journey'
Memories of 'The Ferryman's Daughter'
Alan Bush Composition Prize 2009
Frank and Hilda Stokes and Marjorie Meyer Sight-Reading Prize 2009
Photos of the the Unveiling Party of the Alan Bush Bust
The Unveiling Party of the Alan Bush Portrait Bust by Ian Walters
December 2008 Performance of 'The Winter Journey'
September 2008 Concert
Alan Bush Composition Prize 2008
Frank Stokes and Marjorie Meyer Sightreading Prize 2008
Christ's College Memorial Service for Paul O'Higgins
Professor Paul O'Higgins
Alan Bush Bust Appeal
Two recent books on Alan Bush available now
Concert in September 2006
Forthcoming Books
London Concert in December
More performances of Concert Piece in Europe
Dimension to perform Three Concert Studies
Alan Bush Composition Prize 2006
Performance of Concert Piece for Cello and Piano in Munich
Birmingham Clarion Singers Concert
Concert at RNCM in November 2005
Upcoming Concerts
New CD by the London Piano Quartet
The Stokes and Meyer Memorial Prize for Sight-Reading
CD and Concert of Bush's Symphonies Nos 1 and 2
Northern Chamber Orchestra Concert
RNLI Concert Review
RNLI Concert in September
The Alan Bush Composition Prize 2003
Manchester International Cello Festival
Edna Iles Memorial Concert
April Chamber Concerts – Alauna Ensemble
Concert review of Sonatina for Recorders and Piano in Norwich
Violin Concerto CD selected CD of the year by critic
New Redcliffe CD - British String Quartets (No. 3)
Concert in January 2003 at the Purcell Room, London
Alan Bush Chamber Music – Volume 1 released
New CD - 'Alan Bush' - Re-issue of 1985 Hyperion recording
"In My Eighth Decade and Other Essays" available from Trust
Nancy Bush's book published
Virtual Alan Bush exhibition goes live
News Archive
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Alan Bush's Twenty Four Preludes and the Ballet In Small Spaces, May 2011
Posted: 12 April 2011

Alan Bush's Twenty Four Preludes for Piano, Op. 84, is providing the music for a new Ballet performed by the company, Ballet in Small Spaces in May 2011.

Choreographer Susie Crow first came across Twenty Four Preludes in the late 1980's after using "Ceremonial" and "Rondino" from Alan Bush's Six Short Pieces for Piano, Op. 99 as the accompaniment to an A Level Technical Studies Dance Set.

The opportunity has finally arisen to use the Twenty Four Preludes as the accompaniment for a dance work as part of a tour supported by the National Lottery. This has been given through Grants for the Arts and the Exuberant Trust, which supports emerging artists in Oxfordshire.

The ballet is called Inside Out and aims to draw the audience into seeing ballet from the inside.

Susie Crow writes: "The interest in making this piece arose from the constant questioning of the relationship of artistry and technique in dance." She wanted to know how "to develop artistry in dancers through and beyond their technical study in ballet dance." She thought that Alan Bush's Twenty Four Preludes "seem to provide an example of how a technical starting point could blossom into artistic expression, and therefore a musical model for developing understanding and skill that could be explored in dance." Susie Crow adds that she had already discovered "the lyricism in Bush's phrasing which seemed to call for interpretation in dance."

Susie Crow argues that there is an element by which the composer sets himself the ultimate technical challenge, by "doing something in every key and mode because he can," thus demonstrating his skill. But also he shows "an obsessive interest in leaving no stone unturned in the exploration of the piano as a way of pushing invention." So the dance work should have "something of this quality of detailed precision and virtuosity in the exploration of what the dancer is capable of."

Susie Crow is delighted that the pianist, Peter Jacobs, who made the original recording of the Twenty Four Preludes and who also worked on the work with the composer himself, will be playing live in all the performances of this new work.

It will be performed alongside another new work, Commedia, set to Robin Holloway's Serenade, during the forthcoming tour by the Ballet in Small Spaces at two venues, The Castle Arts Centre in Wellingborough - there will be matinee and evening performances on Wednesday, 18th May 2011 and at The North Wall, Oxford on Friday, 20th and Saturday 21st May 2011.

For further details about venue and bookings, see www.thecastle.org.uk and www.thenorthwall.com.

For further details about the tour and Ballet in Small Spaces, see www.balletinsmallspaces.co.uk and www.exuberant-trust.org.uk.